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Jennifer Shiman has created what is arguably one of the funniest sites on the Web (www.angryalien.com/). On a regular basis, she releases a Flash movie that uses the following premise: the movie is a 30-second synopsis of a popular film, and the actors are bunnies. Drawing and animating each bunny would be a daunting task. Jennifer s solution is the use of a shared Library containing all of the bunny bits needed to create the animations (see Figure 3-22). This is what Jennifer says about how she does it:

The focus of this chapter is to show you how to write the code to implement WS-Security in Web services and their client applications. I will show you four examples: 1. Digitally sign a SOAP request message with a username and password token. Digitally sign a SOAP request message with an X.509 certificate. Encrypt a SOAP request message with an X.509 certificate. Encrypt a SOAP response message with an X.509 certificate, based on a digitally signed SOAP request message.

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This is my library of bunny bits, which I incorporate into each of my 30-Second Bunnies Theatre cartoons. I ve compiled a bunch of the symbols I use most commonly in animating the bunnies, and I grouped them into folders. For instance, within the bun mouths folder are subfolders of different mouth shapes for lip sync; mouths smiling and frowning; mouths in color and black and white; mouths of differing line thickness. The bkgds folder contains background symbols I frequently use, such as standardized clouds, grass, and trees. At the beginning of production, I ll open the bunny bits library and drag the folders into the library of my current cartoon file. Then I import the additional artwork specifically pertaining to that cartoon. During the course of production, if I create new bunny-related artwork I want to use in future files (such as a new version of a bunny mouth shape or a bunny arm position I ll use often), I drag those symbols into the bunny bits library file. It saves time to have one central location for these types of reusable elements.

Persistence is important because an application must operate on data that it retrieved from somewhere Without data, an application is like a car without wheels This book doesn t attempt to answer all questions regarding persistence In fact, this chapter only scratches the surface of persistence, since persistence patterns are a book unto themselves The purpose of this chapter is to provide a new direction for how an application can persist data The ideal persistence technique is one in which you don t have to think as much about the technology, and are able to focus on the data The reason why so much discussion arises over persistence is because persistence is what makes or breaks an application Once a leading Microsoft Transaction developer said, VB or C++ it doesn t matter, because the slowest part of your application is going to be the database.

The introduction of filters and blend modes in Flash 8 was a direct response to Flash designers looking for more eye candy. Since then, they have become indispensable tools for animators and designers.

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In the years prior to Flash 8, Flash designers were quite comfortable using Photoshop filters or Fireworks Live Effects. Back in those days, if you needed to add a blur, drop shadow, or glow, you would leave Flash, open an imaging application containing the needed effect, export a PNG, and import the bitmap into

Flash. If the effect wasn t quite right, you made the round-trip again. Those days are over, and, thankfully, these same filters have become part of Flash. The ability to use filters directly in the Flash authoring environment (and animate them, to boot) has handed you a quick-and-easy method to create some fascinating visual effects. The filters that are available in Flash are as follows: Drop Shadow: Places a gray or colored shadow beneath an object, which gives it the appearance of floating over the background. Blur: Takes the subject out of focus, making it look smudged or out of the depth of field. Glow: Creates a faint glowing outline around an object by following its curves. Bevel: Gives an object a 3D look by creating shadows and highlights on opposite edges. Gradient Glow: Quite similar to the Glow filter, except that the glow follows a gradient of colors from the inside to the outside edges of the object. Gradient Bevel: Comparable to the Bevel filter, except that a gradient is applied to the shadow and the highlights of the bevel. Adjust Color: Allows you to adjust the brightness, contrast, hue, and saturation of an object.

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